The Kimble Museum

The Kimble Museum is a hidden gem to those not from the Dallas/Ft. Worth area or the art world. The museum has long term deep-pocket patrons allowing them to purchase pieces which are the envy of larger museums. The permanent collection includes 350 pieces, including Claude Monet’s Weeping Willow. The philosophy is quality, not quantity, very refined collection with the most important pieces.

 

The Vision of the Founders

The Kimbell Art Museum officially opened on October 4, 1972. The Kimbell Art Foundation, which owns and operates the Museum, had been established in 1936 by Kay and Velma Kimbell, together with Kay’s sister and her husband, Dr. and Mrs. Coleman Carter. Early on, the Foundation collected mostly British and French portraits of the eighteenth and nineteenth centuries. By the time Mr. Kimbell died in April 1964, the collection had grown to 260 paintings and 86 other works of art, including such singular paintings as Hals’s Rommel-Pot Player, Gainsborough’s Portrait of a Woman, Vigée Le Brun’s Self-Portrait, and Leighton’s Portrait of May Sartoris. Motivated by his wish “to encourage art in Fort Worth and Texas,” Mr. Kimbell left his estate to the Foundation, charging it with the creation of a museum. Mr. Kimbell had made clear his desire that the future museum be “of the first class,” and to further that aim, within a week of his death, his widow, Velma, contributed her share of the community property to the Foundation.

With the appointment in 1965 of Richard F. Brown, then director of the Los Angeles County Museum of Art, as the Museum’s first director, the Foundation began planning for the future museum and development of the collection, both of which would fulfill the aspirations of Mr. Kimbell. To that end, under the leadership of its President, Mr. A. L. Scott, and in consultation with Ric Brown, the nine-member Board of Directors of the Foundation—consisting of Mrs. Kimbell; Dr. Carter; his daughter and her husband, Mr. and Mrs. Ben J. Fortson; Mr. C. Binkley Smith; Mr. P. A. Norris, Jr.; Mr. J. C. Pace, Jr.; and attorney Mr. Benjamin L. Bird—adopted a policy statement for the future museum in June 1966, outlining its purpose, scope, and program, among other things. That statement remains to this day the operative guide for the Museum. In accordance with that policy, the Foundation acquires and retains works of so-called “definitive excellence”—works that may be said to define an artist or type regardless of medium, period, or school of origin. The aim of the Kimbell is not historical completeness but the acquisition of individual objects of “the highest possible aesthetic quality” as determined by condition, rarity, importance, suitability, and communicative powers. The rationale is that a single work of outstanding merit and significance is more effective as an educational tool than a larger number of representative example

Two aspects of the 1966 policy in particular would have the greatest impact on changing the Kimbell collection: an expansion of vision to encompass world history and a new focus on building through acquisition and refinement a small collection of key objects of surpassing quality. The Kimbell collection today consists of about 350 works that not only epitomize their periods and movements but also touch individual high points of aesthetic beauty and historical importance.

FORT WORTH, TEXAS (June 4, 2019)—  The Kimbell Art Museum is pleased to announce the acquisition of a 17th-century giltwood frame for Claude Monet’s Weeping Willow, the inspiration for the internationally acclaimed special exhibition Monet: The Late Years, opening at the Kimbell on June 16The acquisition was made possible by a generous grant from the Bank of America Art Conservation Project.

Image: Weeping Willow Frame

 

Exhibitions

Internationally Acclaimed Exhibition Reveals the Radical Evolution of Monet’s Final Decade, on view June 16–September 15, 2019

Bellotto Exhibition at the Kimbell Art Museum Transports Viewers to Splendor of 18th Century Dresden, on view February 10–April 28, 2019

First Major Exhibition of Renoir’s Focus on the Human Form Marks Centenary of the Artist’s Death, on view October 27, 2019–January 26, 2020

NEWS

June 12, 2019: The Kimbell Art Museum Announces $3 Admission to all Special Exhibitions for SNAP Recipients

June 4, 2019:Kimbell’s Monet Weeping Willow Painting Newly Displayed in Keeping with the Artist’s Practice, Thanks to Bank of America Conservation Grant

11 de marzo de 2019: El Kimbell Art Museum está entre los Finalistas para la 2019 National Medal for Museum and Library Service

March 11, 2019: Kimbell Art Museum Named National Finalist for 2019 National Medal for Museum and Library Service

March 7, 2019: Kimbell Art Museum Acquires Significant Painting by Anne Vallayer-Coster, One of the Foremost Still-Life Painters of 18th-Century France

January 30, 2019: Kimbell Art Museum appoints new Curator of European Art

 

My European Faces: Mary Sidney, Countess Pembroke, playwright, British, European — Guest Blogger Arstyr

Beautiful, talented and unconvential Mary Sidney was counted as the first influential British female poet and playwright. By 1600, she was listed together with her brother Philip Sidney and William Shakespeare as notable authors of her time. Admired by her fellow writers — poet Samuel Daniels wrote more than 30 Sonnets dedicated to her — Lady Sidney was deeply influenced by Continental writers and sought to bring European literary forms to England. She was British and European.

via My European Faces: Mary Sidney, Countess Pembroke, playwright, British, European — Arstyr

Day 2047 Some of my favorites —Guest Blogger Margaret McCarthy Hunt Art

From my Biking cruise from Paris to Normandy. First night on the Champs d’Elysses. Who doesn’t love the arc de Triomphe and a rainy night in Paris. All the variety of doors just fascinated me. I could have filled a book with doors and The amazing variety of lampposts. Drawing in the Louvre. Who knew […]

via Day 2047 Some of my favorites — Margaret McCarthy Hunt Art

Art, Artists, Interaction and the Process of Change — Guest Blogger Art, Photography and Poetry

“Art will never be able to exist without nature.” Pierre Bonnard Art and form are linked with function and nature, with feeling and seeing, with emotion and the relationship between the observed and men and women’s particular unique situations and particular environmental circumstances; and their reaction to and interaction with it. “Art is about building […]

via Art, Artists, Interaction and the Process of Change — Art, Photography and Poetry

Gallery Travels: Spain and The Prado

In 1988 I had an opportunity to travel to Madrid, Spain with a small group from a popular radio station. The morning DJ took the trip with us, to some it was like traveling with a celebrity. That would not be me. This was my first trip to Spain and sitting at the hotel was not my idea of fun.

I walked to Toledo, a famous city with the magnificent Castle of San Servando.

Castle of San Servando

Evidence exists of an ancient monastery attached to a basilica of the same name, possibly founded in the 7th century. In 1080, Cardinal Richard of St. Victor, a monk of the ancient Abbey of St. Victor in Marseille, was sent as the legate of Pope Gregory VII to the Council of Burgos held that year. One of his mandates was to ensure the adoption of the Roman Rite, replacing the ancient Mozarabic Rite used by the Christians of Iberia for centuries. He carried specific instructions for the restoration of San Servando and its adoption of Roman liturgical practice.[1]

As you cross the bridge over the Tagus River you can see where cannonballs hit the Huge gates and surrounding walls protecting the Castle.

See the source image

See the source image

 

The most famous museum in Madrid, Spain is the Prado. 

Eugenio Lucas Velázquez – The Second of May 1808

See the source image

Roger van der Wevden Descent from the Cross 

 

See the source image

 

Spain is known for many handmade collectibles. Ladro porcelain is exquisite and my journey to Toledo was a search for a special piece of Ladro for my grandmother. The delicate flowers blow my mind. How could any person’s hand create the delicate flowers?

 

Thank you for reading, I welcome all your comments.

Melinda

Gallery Travels: Maui 1997

I started scuba diving in 1987, it was difficult I’m claustrophobic taking extra classes to handle the thought of breathing underwater. I was fortunate to log over a hundred dives in ten years.

A panic attack while shore diving almost drowning two people, this was the start of my Maui vacation. This is not my idea of fun any time, it was scary. I kept taking off my face mask, not breathing thru the regulator and pushing my dive buddy under water. Once on land, I would not take off the wet suit, kept laying on the ground and would not get in the car. That was my last dive, devastating but if I can’t dive again there are so many great memories and photos.

The early evening was much better, walking thru the Gallery District, sampling the wine, talking to the artist. It was so relaxing as the sun fell. I started talking to a gallery owner about his most recent works of art. I followed him inside and saw THE painting was perfect, I could see eating at the table, drinking wine smelling the beautiful flowers. This was my first original painting and I love it as much today. Interestingly he is the nephew of Gene Stallings American Football player and coach.

 

“Two Plums” c1997  G1/399

 

 

 

 

 

 

 

Interview with Cynthia Maniglia from Sand Salt Moon

I’m talking with Cynthia Maniglia from Sand Salt Moon at http://www.sandsaltmoon@wordpress.com Run over and visit her blog, Cynthia’s work is fantastic, she really captures the each subject. The piece above is called Fall Mums.

Did someone teach you to color as a child? Did you color in the lines?

 

Coloring in coloring books was a big thing for me and my generation when we were younger. I suppose it still is today with kids, and I know it’s become a big thing with adults as there are many adult coloring books on the market. I used to color with my girlfriends – we’d sit or lay on the carpeted floor and color all afternoon. If we went visiting, we brought our coloring books and crayons with us. We were all around kindergarten/first grade or so age, so at that time we were coloring in school with our classmates and art teachers or classroom teachers. I would say we learned from each other, although I did have a slight little advantage. My dad. He was an artist – so I grew up with paints and paper and art around me. My father was never educational about it at that age, simply encouraging. He brought home paper and paints for me to play with in my playroom. I colored in the lines, but I also liked to draw and color what I drew. I always enjoyed art. It was always a fun thing for me to do as a child.

 

How did you discover your artistic skills? What age were you?

In school, I noticed that I did well in art class (my teachers and grades affirmed that), and I enjoyed the projects I did in the Girl Scouts (we did lots of arts and crafts). In college, I pursued writing but wanted to drop out and go to art school, which I wished I had done instead of continuing with my degree in English Literature. My artistic skills really came to the fore when I discovered craft shows in my late 20’s/early 30’s. I used to make handmade brooches and they were a big hit in the 80’s with career women and their women friends; my crafty pins made great gifts and sold like hot cakes! My mom was my best critic – she’d tell me what was good and what wasn’t, and then my dad chirped in with his opinion. They were both brutally honest and at the same time encouraging. Eventually, I stopped selling the pins, which I was doing for extra money, when the craft show circuit started dwindling, and I moved onto selling handmade cards to retail shops. The cards sold for $7 wholesale and $15 at high-end retail shops in Los Angeles, California (on Rodeo Drive) and at Longwood Gardens Gift Shop in PA, to name a few prominent locations. I did that for a couple of years for fun. It was a hobby I ran as a business on the side of my day job/career. Those crafty endeavors were just a hobby, but they were certainly a good way to gauge and hone my artistic skills. I would say it was in my 30’s and 40’s that I found out my artistic ability was marketable and I could be successful with it, and when I was in my teens, it was just something I was “good at and had fun with” rather than a career path. I’m glad I pursued writing for my career, however, because I did well with that and was able to retire early. Now, I have art in my early retirement to pursue and have fun with, and I’m never bored.

 

What advice would you give an artist just starting out?

Decide if art is something you want to do for fun, as a hobby, or as a career. It can evolve and be all three, but if you want to make a career of it and be successful, there are definitely some disciplines and things you may want to focus on in order to give your path positive direction, rather than just being willy-nilly about it and “seeing where it goes.” There’s a lot to be said about developing your own style and having natural talent, but nothing replaces hard work and discipline as well as a good understanding of “basics” concerning mediums, drawing, and other learnable skills in the arts.

 

Your art is shown at http://www.Society6.com, what lead you to the site?

Another blogger on WordPress, actually, had a Society 6 shop, and so I looked into it. I have a scanner and can upload high quality images of my art to Society6, which is easy to do. Then I promote my work via social media, and most importantly gift items from the site with my artwork on it to friends and family! I have a few things from the site that I bought for myself (a shower curtain, a bath mat, and a few of the zippered canvas bags).

 

Your favorite or favorites piece of art and why?

I’m going to have to say anything done by Monet and Van Gogh. I really enjoy looking at their brush work. If you mean my work … well, I’m too critical of it to think it’s a favorite – I always see what’s wrong with it!

 

Do you want to grow into other mediums like oil or etching?

I’m interested in finding more clarity in my painting. I scrumble a lot and am not as good of a line artist as I’d like to be. I want to have fewer strokes, be more definitive with my lines and choice of color, and rely less on mistakes. It’s that discipline thing I was talking about earlier that they teach you in art school that I lack. I’m not really interested in oils, but I would like to do more with pastels as I enjoy drawing.

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