If you have the chance to visit London do yourself a huge favor and schedule at least two days at the British Museum. The museum has pieces from around the world including the Parthenon, where else can you find relics from the ancient world. I did not get the chance to see the Chinese section of the museum and hear it is extensive.
Founded in 1753, the British Museum is London’s largest and most visited museum. Its gigantic permanent collection includes over 8 million historical artifacts, with everything from Egyptian mummies to Roman treasures. Highlights include sculptures from the Parthenon, the Rosetta Stone, and the 12th-century Lewis chessmen.
The Basics Allow at least two hours for a British Museum tour, but don’t expect to see everything in one visit—it would take days to explore the entire museum and it’s easy to get lost. With so much to see, visiting with a tour guide is a convenient choice, and a small-group or private guided tour will ensure you maximize your time. Things to Know Before You Go There is no admission fee for the British Museum, although donations are welcome. Visitors are required to pass security checks to enter, and large bags and suitcases are prohibited. On-site facilities include museum shops, cafés, and restaurants. Free Wi-Fi is available throughout the museum. Audio guides are offered in several languages. The British Museum is fully wheelchair accessible.
Read more about The 10 Best British Museum Tours & Tickets 2019 – London | Viator – https://www.viator.com/London-attractions/British-Museum/d737-a1388?mcid=56757
The Museum’s collection online offers everyone unparalleled access to objects in the collection. This innovative database is one of the earliest and most extensive online museum search platforms in the world.
There are currently 2,335,338 records available, which represent more than 4,000,000 objects. 1,018,471 records have one or more images.
Free exhibitions and displays
Until 12 November 2019
Until 12 January 2020
Until 12 January 2020
Special morning tours
A few days ago I wrote a little history about Gothic architecture and art. Today, I want to re-visit the Gothic world, but in a very different way, one that’s much closer to home.
We’ve all seen the painting:
It’s been called “…the most recognizable painting in 20th century American art”, referred to as “an indelible icon of Americana,” and without doubt it is Grant Wood’s most famous painting.
Despite having developed a familiarity with this most famous painting in my childhood, I never really did get to know much about its artist.
I think all I ever really did know about Grant Wood was that he was an American painter.
Wood was born in Iowa, which isn’t all that far from Missouri. It’s just north of our state, and I’ve traveled to — and through — Iowa many times.
He was an extremely active artist who worked in many…
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Necessity as the mother of invention: Photos of homes in unexpected places
Oct 16, 2013 /
Iwan Baan is not as interested in what architects build as he is in the beautiful ways that people appropriate the spaces once the planners are gone. In his TED Talk, Baan — whose breathtaking image of lower Manhattan after Hurricane Sandy hangs on at least one of our walls — shows incredible images from communities thriving in ways that seem quite opposite to the uniformity of suburbs. First, Baan takes us to Chandigarh, India, where people inhabit buildings created by modernist architects Le Corbusier in very different ways than expected. Then, Baan takes us to Caracas, Venezuela, where an abandoned 45-story building has become a miniature city. From there, Baan takes us to a Nigerian slum built on water, to a community in Cairo thriving amid recycling heaps, and to an underground village in China.
Baan’s talk will have you marveling at human ingenuity. In it, the photographer shows 154 images. Since they appear rapid-fire, Baan has selected some to share here, where you can take your time and appreciate the details.
See the homes of 70% of Caracas’ residents
In Caracas, the capital of Venezuela, nearly seventy percent of the population lives in slums that seem to drape over every corner of the city.
Welcome to the world’s largest vertical slum
In the centre of the city is the Torre David, a forty-five story unfinished office tower that was in the midst of construction until the developer died in 1993, and the crash of the Venezuelan economy the following year. About eight years ago, people started moving in to the abandoned construction site, and today it is considered the world’s largest vertical slum.
The forty-five-story walk up
With no lifts or escalators, the tower is essentially a forty-five-story walk up. You’ll find seniors or those less physically-abled on the lower floors, and the young and healthy near the top. Public spaces like this stairwell are painted with care in order to make the tower feel more like an apartment building.
The hole in the wall. Or, how to build airflow into a tower
With the average temperature in Caracas reaching twenty-eight degrees, the inhabitants needed to find ways to induce airflow, and this also serves as a circulation system to help inhabitants better navigate the building.
It’s humble but it’s home
In an exercise of ingenuity, inhabitants like this family typically mark their space with whatever materials they can find or purchase. Here, newspaper becomes wallpaper.
Decorated with care
Every home in the tower is designed with love and passion – at least up until as far as one can reach.
A town in a tower
The tower functions on an entire system of micro-economies, and on each floor, you’ll find a collection of shops and services. You’ll find the church, the grocery store as well as the gym on the thirtieth floor, where all of the weights are made from the unused elevator equipment.
A space for creativity
Like a beehive, the tower provides a skeleton framework for each inhabitant to create something for himself or herself by whatever means they can afford.
A community built on a lagoon
In the centre of Lagos is Makoko – a community of approximately one hundred and fifty thousand who live and work on stilted structures, just meters above the Lagos Lagoon.
Human adaptability in Makoko
Makoko is both an example of Nigeria’s seemingly irrepressible population growth, and an incredible illustration of our human ability to adapt to seemingly inhospitable conditions.
Life on the water
From the barbershop to the movie theatre, every aspect of life in Makoko has been adapted to meet the demands of life on the water.
Floating, live music
Despite being a highly disadvantaged community, when it comes to good live music, the atmosphere in Makoko is quintessentially Nigerian. At any given time, you’ll find a band floating down the lagoon, for all of the community to enjoy.
A community fighting eviction
In Makoko, forced evictions are a daily reality. In response to the government’s plan to clear out the area to make room for development, the Nigerian Architect, Kunle Adeyemi built a school for the children of Makoko. Today, the entire community uses the structure, and the building appears like a beacon against the landscape.
Meet the Zabaleen
Under the cliffs of the Mokattam Rocks one will find the Zabaleen – a community of Coptic Christians who make their living by collecting and recycling waste from homes and business across Cairo.
Those who take trash home
The collected waste is brought back home where it is sorted and crushed before being sent off to a third party. To those in the Zabaleen, the waste becomes nearly invisible, as living amongst piles of garbage is merely a new definition of normal.
A wild sense of decor
On the street level, the area seems to be in complete disarray, but step inside one of the homes, and you’ll be met with all manner of elaborate interior design choices.
Homes dug into the earth
In the provinces of Shanxi, Henan and Gansu you will find collections of yadongs – underground cave dwellings that are dug out from the soft and malleable Loess Plateau soil. Up until the early 2000’s an estimated forty-million people still lived in sunken courtyard houses which sit seven meters below-ground.
Home is wear the heart is
For the poor farmers, building a yadong costs next to nothing – all one needs is a shovel and a few friends to dig the soil.
All photos courtesy of Iwan Baan.
This site was started as an outlet for me to learn more about art. I didn’t think anyone would follow, just me learning as I went along. Thank you for following, you are the icing on the cake and your comments are most appreciated.
I drew this the first time the first trip I made to the High Museum to see the European Masters. What a show!! Can’t rave about it enough. This was his original. About 5×7 feet. Mine is tiny in my Stillman and Birn Zeta which is 6 x 9 1/2″. The orange is cad yellow […]
Or is it just stopped up sinuses. Either way. Yucky. My bird drawing craze goes back at least six years or more. Some early ones. Parking lot seagulls probably in a Strathmore mixed media. I draw better birds now. All these were drawn while watching the birds. Chicken chasing Parrot rescue in Pigeon Forge Drawing […]
If you love the Impressionist period art, the d’Orsay has the largest collection of masterpieces in the world. It’s a travelers delight. The architecture of the building, an old train station, is worth the trip alone. The Left Bank has a completely different vibe than the Right Bank. The crowd is younger, it’s more affordable and less Rodeo Drive. I stayed in a small family run hotel, quaint, friendly and close to many attractions. Just blocks from Norte Dame, now sadly what’s left of Notre Dame.
The Musée d’Orsay (French pronunciation: [myze dɔʁsɛ]) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d’Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of impressionist and post-Impressionist masterpieces in the world, by painters including Monet, Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and Van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum’s opening in 1986. It is one of the largest art museums in Europe. Musée d’Orsay had 3.177 million visitors in 2017.
The museum building was originally a railway station, Gare d’Orsay, constructed for the Chemin de Fer de Paris à Orléansand finished in time for the 1900 Exposition Universelle to the design of three architects: Lucien Magne, Émile Bénard and Victor Laloux. It was the terminus for the railways of southwestern France until 1939.
By 1939 the station’s short platforms had become unsuitable for the longer trains that had come to be used for mainline services. After 1939 it was used for suburban services and part of it became a mailing centre during World War II. It was then used as a set for several films, such as Kafka‘s The Trial adapted by Orson Welles, and as a haven for the Renaud–Barrault Theatre Company and for auctioneers, while the Hôtel Drouot was being rebuilt.
In 1970, permission was granted to demolish the station but Jacques Duhamel, Minister for Cultural Affairs, ruled against plans to build a new hotel in its stead. The station was put on the supplementary list of Historic Monuments and finally listed in 1978. The suggestion to turn the station into a museum came from the Directorate of the Museum of France. The idea was to build a museum that would bridge the gap between the Louvre and the National Museum of Modern Art at the Georges Pompidou Centre. The plan was accepted by Georges Pompidou and a study was commissioned in 1974. In 1978, a competition was organized to design the new museum. ACT Architecture, a team of three young architects (Pierre Colboc, Renaud Bardon and Jean-Paul Philippon), were awarded the contract which involved creating 20,000 square metres (220,000 sq ft) of new floorspace on four floors. The construction work was carried out by Bouygues. In 1981, the Italian architect Gae Aulenti was chosen to design the interior including the internal arrangement, decoration, furniture and fittings of the museum. Finally in July 1986, the museum was ready to receive its exhibits. It took 6 months to install the 2000 or so paintings, 600 sculptures and other works. The museum officially opened in December 1986 by then-president François Mitterrand.
Van Goghs Blue church – Église Notre Dame de L’Assomption at Auvers-sur-Oise Getting near done. If you turn the corner to the left you will be at the Auberge Ravoux where he died. Maybe a block away. The lab was added because I knocked my metal Holbein palette from the table onto this painting after […]